SK-HD1000 Handheld HDTV Production Camera

The SK-HD1000 is Hitachi’s Multi-Standard portable HD Studio and EFP camera. Outstanding images are acquired by three (R,G,B) 2.3 megapixel UAIT (Ultra-Advanced) CCDs. The camera offers sharper and cleaner HD images due to our newest CCD sensors and processed by 30-bit Hitachi DSP’s. Hitachi’s implementation of the most advanced digital processing technology provides low-noise and high dynamic range pictures. The camera system is able to output dual formats simultaneously (SD and 1080i /720p).

• Product Brochure [PDF 2.59MB]
• Accessories Brochure [PDF 1.1 MB]

Native 1080/60i, Multi-application, HDTV Studio/ Field production camera. Dockable 2-piece chassis allows multiple configurations. Available with Fully Digital Triax system or Hybrid fiber cable. Excellent image reproduction and performance.

Features & Functions

1. NEW 2/3-inch, 1080/60i (Ultra-Advanced) UAIT-CCDs.
2. 1,100TVL standard resolution.
3. >60dB signal to noise ratio (1080/60p without noise reduction).
4. 30-bit per pixel per R,G,B channel Hitachi digital processing technology.
5. Full or half-rack SMPTE fiber CCUs or Hitachi’s patented Digital Triax CCU.
6. SMPTE fiber cable operational distance up to 3Km. (~9,842ft.)
7. Operate with SMPTE hybrid fiber or use single-mode with external camera head power.
8. Single Mode fiber up to 10Km (~33,000ft.) without external adapters, accessories or mods.
9. Choice of multiple joystick or rotary-type remote operation panels.
10. Control panels (SU-1000 and RU-1500 series) can control up to 128 cameras via the TCP/IP network.
11. Optional Dual 5-position motorized filter wheel.
12. 2-piece dockable design improves maintenance and equipment availability.
13. Prompter video output and AC power available at the camera head.
14. Independent HD-SDI VF output for crane or Jib installations.
15. VF Focus assist. (VF Area marker, Focus indicator and gauge)
16. Compatibility with all Fujinon Precision Focus lenses.
17. Digital registration of lens’ lateral chromatic aberration adjustment.
18. RLACTM: Real-time Lens Aberration Correction makes the best 2/3-in HDTV lenses look even better.
19. Direct data transfer from SU or SD memory cards used at camera head and control panels.
20. Full automatic setup using Gray Scale.
21. HD signal linear masking & 12-vector color painting.
22. Independent control of HD & SDTV detail.
23. Ultra Gamma (Selectable Gamma table with 7 presets).
24. Preset Masking (6 settings: DEFAULT, ITU-709, SMPTE-240M, SMPT-WIDE, NTSC, EBU).
25. 2 channel skin-tone masking and multiple memories.
26. Knee saturation and Knee detail functions.
27. Real-time and offline diagnostic system with character display superimposed on PIX video output.

Configuration

• Available Studio Adapter for use with all Broadcast box, compact studio and hand-held 2/3” lenses.
• Cable-less Studio Adapter interface allows trouble free operation.
• 2-piece dockable design allows easy configuration change with choice of SMPTE or Triax cable.
• Maintains backwards compatibility with existing HITACHI control panels, cables, and viewfinders.
• Ethernet control and assignment of control panels and CCUs.